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Professionals 102 results
Capabilities 27 results
Industry
For decades, Winston has filled a unique niche in the media and entertainment industry, and we continue to be at the forefront of today’s most important and challenging cases. Our interdisciplinary team advises some of the world’s most prominent industry players—studios, production companies, entertainers, artists, athletes, other celebrities, and other sector participants—in connection with the disputes and deals that are moving this dynamic industry forward.
Practice Area
Experience 9 results
Experience
|January 21, 2026
Winston Advises Bitmine on $200M Strategic Investment in MrBeast’s Beast Industries
Winston & Strawn LLP served as counsel to Bitmine Immersion Technologies, Inc., the NYSE-listed Ethereum treasury company chaired by Tom Lee, in connection with its $200 million strategic equity investment in Beast Industries, the multi-faceted entertainment and consumer products company founded by global creator Jimmy “MrBeast” Donaldson.
Experience
|January 6, 2026
Brightwood Capital’s Acquisition of Museum of Illusions Group
A team led by Bradley Vaiana and Austin Leach represented Brightwood Capital Advisors, LLC (“Brightwood”), a New York–based investment firm, in its acquisition of Museum of Illusions Group, the world’s largest privately held chain of museums, from Invera Capital Partners. As part of the transaction, five previously franchised locations will transition from the chain’s largest franchisee, LOL Entertainment, to become corporate-owned sites. Winston attorneys across multiple practice areas and offices, including M&A, Tax, Intellectual Property, Employee Benefits, and the firm’s UK office, assisted in structuring a complex cross-border transaction to support Brightwood's fund investment goals. The acquisitions were completed on January 6, 2026.
Experience
|January 11, 2024
Represented TZP Group in its Acquisition of Head Rush Holdings
Winston represented TZP Group (TZP), a private equity firm, in its acquisition of Head Rush Holdings (Head Rush), a designer, manufacturer, and distributor of devices across three main product categories - climbing, zipping, and jumping - as well as a provider of recurring service offerings. The partnership will look to expand Head Rush’s growth through new product introductions, international expansion, and entry into new end markets, leveraging TZP's prior experience in out-of-home entertainment, performance-oriented products, and tech-enabled service businesses.
Insights & News 194 results
Recognitions
|April 17, 2026
|1 Min Read
Jeffrey Kessler Recognized as Litigator of the Week by The American Lawyer
Winston & Strawn partner Jeffrey Kessler was named Litigator of the Week by The American Lawyer in their April 17, 2026, column.
In the Media
|April 16, 2026
|4 Min Read
Winston Secures Transformative Antitrust Verdict for States in Live Nation and Ticketmaster Trial
A Winston & Strawn team, led by Jeffrey Kessler, secured an antitrust verdict on behalf of more than 30 states and the District of Columbia, with a Manhattan federal jury finding Live Nation Entertainment and Ticketmaster liable for violating federal and state antitrust laws in a decision that has the potential to transform the concert, music, and ticketing industry. The jury concluded that Ticketmaster unlawfully maintained a monopoly in the primary ticketing market for major concert venues and that Live Nation unlawfully monopolized the large amphitheater market, compelling artists to use its promotion services to access its venues. Jurors further found that this conduct resulted in higher ticket fees, leading to an approximate $1.72 overcharge per ticket for consumers.
In the Media
|April 7, 2026
|2 Min Read
Winston & Strawn Co-Executive Chair Jeffrey Kessler was featured in Global Competition Review discussing his role representing a coalition of 35 states in the ongoing antitrust litigation against Live Nation.
Other Results 10 results
Site Content
The term digital media is frequently used to refer to products and services that provide information or entertainment in digital form, especially online via the Internet. Examples of digital media include online news sources, video games, blogs, and social media. The term may also be used to describe online content, especially content that is interactive; on-demand media that is accessible through a range of devices; and media that is responded to or shared in real time. It is sometimes used to refer to content that is created, published, or distributed by individuals or non-traditional publishers, such as bloggers.
Law Glossary
What Is the Copyright Royalty Board?
The U.S. Copyright Royalty Board (CRB) is a three-judge panel that functions as an independent unit within the Library of Congress. It performs the duties specified in the Copyright Royalty and Distribution Reform Act. The Act established statutory licenses that let approved parties utilize certain types of copyrighted works by paying a set royalty, without having to request an individual copyright license from each rights-holder. The CRB sets, and periodically adjusts, the rates and terms of the statutory licenses, and can also make determinations on the distribution of statutory license royalties collected by the U.S. Copyright Office. For example, the judges can determine, for a five-year period, the rates musical performers receive when their works are played via digital services. When licensors and licensees cannot reach rate agreements on their own, the CRB hears testimony from the various parties and then sets the rates. CRB Judges serve six-year terms. The first CRB judges were appointed by the Librarian of Congress in 2006.
Law Glossary
An original work of authorship that is fixed in a tangible form and exhibits at least a minimal amount of creativity may be protected by U.S. copyright law. Under the law, a copyright owner has various exclusive rights to use the protected work, including the right to make copies of it; create derivative works based on it; and distribute it to the public. For certain types of works, the copyright owner also has the exclusive right to publicly perform or publicly display the work.